Visitors at the Pulitzer Foundation for the Arts give their impressions at the opening reception for stylus: a project by ann hamilton.

Artist Ann Hamilton, Composer Shahrokh Yadegari and the opera singer Elizabeth Zharoff create a recording for the installation of stylus.

To add a “sense of  humanity as well as mystery,” Shahrokh Yadegari explained last week, he and Ann Hamilton chose to incorporate a human voice into stylus’s primary sound composition. They talked with the Opera Theatre of St. Louis and were introduced to the singer Elizabeth Zharoff. The three met at Jupiter Studios, a recording studio in downtown St. Louis, where Zharoff sang as Yadegari improvised using her voice and a computer music instrument he invented. The instrument is called “Lila,” a word that literally means “play” in Hinduism but implies creative freedom within a set of boundaries. Zharoff and Yadegari’s collaboration as well as Ann Hamilton’s installation seem to exemplify that concept quite nicely.

Shahrokh Yadegari, Composer/Sound Designer, and his assistant Toby Algya program player pianos for Ann Hamilton’s stylus. Yadegari describes how the instruments will be used during the exhibition.

When we think of the word “stylus,” what comes to mind nowadays is a touch pen used on a palm computer. The upcoming exhibition’s namesake has many denotations, though, such as a pillar or a tool used to engrave wax. As Matthias Waschek broached in the last “From the Director,” the meanings of “stylus” overlap and fundamentally relate to communication. My favorite image of a stylus is a record player’s needle, which magically emits music from a slab of vinyl. At Friday’s opening, you’ll be able to experience a similarly wonderful transmission of sound. Read the rest of this entry »

Art preparators mount bell speakers on top of the Pulitzer Foundation for the Arts. Shahrokh Yadegari describes what sounds will be called out to the neighborhood.

If you’ve driven by the Pulitzer in last couple of weeks, you’ll notice that the neon sign is gone, and there are now five bell speakers on the roof facing Washington Boulevard. They are, of course, for the upcoming stylus, an exhibition that focuses on the notion of calling, and they’ll soon be calling to St. Louis.

The speakers in fact originally came from church bell towers, so this won’t be the first time they’ve been used to beckon a community. However, this time the community will have a chance to contribute to the sound, which Shahrokh Yadegari, a composer and sound designer working with Ann Hamilton, explained in an interview last week.

“It’s kind of the sound of the community that will be used as a gesture of calling to others,” said Yadegari. Anyone, anywhere will be able to call an account the Pulitzer is setting up and leave a message, which may then be funneled off the Pulitzer rooftop. These recordings will also be played inside the building.

“The sound system is really complex,” Shane, our Chief of Installations, explained about stylus. The audio maze so far includes light sensors, speakers throughout the building’s ventilation system and two player pianos. Hamilton worked with Yadegari to a create a system that, according to Shane, is “integrated so much into the architecture that it turns the building into some kind of giant instrument.”

Apparently, I’m behind the times. I’d never heard of SketchUp until Ann Hamilton’s assistant Colin McDonald astounded me with the 3D sketching software this week. He showed me a layout of what stylus is to look like, which he made by adding images to a model of the Pulitzer someone uploaded here. Here is the Main Gallery plus white cubbies that stretch along the entire western wall and window:

Read the rest of this entry »

Bob McCabe, Morning Host for KWMU, reads during A Marathon Metamorphoses.

“…how does one communicate the experience of an ephemeral two day reading in our exhibition space?” our director, Matthias Waschek asked today in his very first blog post for the Pulitzer. He is, of course, reflecting on last year’s marathon reading of Ovid’s Metamorphoses, which has so far been the only event of its kind in our building.

To capture the experience, a local videographer video taped the almost twenty hours of reading in the Lower Gallery. He then edited the footage down to eight minutes, which includes a shot of each of the seventy-four readers. You can now watch the video and read Matthias’ reflections on it on our A Marathon Metamorphoses blog.

Courtney Henson, our Visitor Services Manager, is an artist and particularly admires the work of Ann Hamilton, so last week, I  interviewed her via g-chat on what she’s looking forward to about stylus. She = pulitzerarts.

4:04 PM me: So how do you feel about the Ann Hamilton exhibition coming up?

pulitzerarts: pause-personally or as the visitor services manager or the combo?

me: Both.

4:05 PM pulitzerarts: Ok. 4:09 PM Well I have been interested in Ann’s work for quite a while. In graduate school, I began to appreciate the performative aspects of her work more. I also liked the ways that she was integrating a space fully in her installations. It is exciting to get an opportunity to see her approach the Ando building with her methods for involving all the senses. It will be a new experience for us as an institution as we have not worked inside the building with a living artist. Read the rest of this entry »

Since the end of May, a group of graduates from Washington University’s Sam Fox School have been crafting oodles of paper hands to be in stylus. Lindsay Deifik, an organizer for this venture, answered some questions about the process and e-mailed me some photos from the studio.

What is your role for the installation of Ann Hamilton’s stylus?

I am the Studio Assistant Coordinator for the paper hand production here at Washington University. My responsibilities include overseeing the working schedules of our assistants, cataloguing the hands, directing various aspects of our production and of course making plenty of hands myself. I’m really grateful to have fallen into a job that requires me to be making and producing right after graduating with a BFA. I am also serving as a nexus of communication between Ann, her studio in Ohio, the Pulitzer and our base here at the university. It’s been really exciting to see all of the components and dispersed activity that goes into the production of a show of this magnitude here in Saint Louis. Read the rest of this entry »

Director Matthias Waschek describes the meaning of “stylus” and the upcoming Ann Hamilton exhibition.

As I mentioned in our previous post, the Pulitzer is closed for the installation of Ann Hamilton’s stylus. The opening reception for the exhibition will be July 9 (Feel free to RSVP on Facebook).

Organizers, visitors and participants talk about Art/Food during the event.

All afternoon this past Saturday, a crowd milled about the Art/Food tent trying local concoctions, such as South County honey,  Vanilla Cream Ale, and s’mores from a sun oven. In the video below, Chef John Judy, from L’Ecole Culinaire, describes the Gordon Matta-Clark gumbo that was served. For a full recap of the event, watch the video above.

With the dismantling of the folding tables, came the conclusion of Urban Alchemy/Gordon Matta-Clark. If you’re ever feeling nostalgic, you can always visit the Transformation site and the web catalogue, which document the exhibition and the ambitious programs associated with it. What was one of your favorite parts of Urban Alchemy?

As we evaluate the achievements of the past few months, we’re also revving up for Ann Hamilton’s stylus. The Pulitzer will be closed for installation until July 9, the exhibition’s opening reception. (To be continued…)

Chef John Judy shows L’Ecole Culinaire’s recreation of Gordon Matta-Clark’s gumbo, which they served at Art/Food.