Construction Careers Center students examine Gordon Matta-Clark’s Reality Properties: Fake Estates. For more photos from this program visit our Flickr page.

Tuesday morning, students from a Construction Careers Center shop class toured Urban Alchemy/Gordon Matta-Clark for the first time. They have been hearing about the exhibition for months. Last fall, while requesting garbage donations, Jenny Murphy and Lisa Harper Chang visited CCC, a construction-focused charter school, to talk about Gordon Matta-Clark’s work and sustainable design. Jane Crawford made a special appearance at the school during the week the Wall was constructed.

In early February of this year, the Pulitzer, along with the Missouri Botanical Garden’s Earthways Center and the Lawrence Group, began the current program. Representatives from each organization and a teaching artist have been meeting with the class for lessons on community building, sustainability and design. The students are planning with their teacher to eventually build their own version of the Garbage Wall.

Faydreauna, a student at Construction Careers Center, shares her observations on Garbage Wall.

The partnership between the Pulitzer Foundation and the George Warren Brown School of Social Work was established in November of 2007. This past fall, near the second anniversary of the partnership, students at the George Warren Brown School of Social Work at Washington University (GWB) created a new student group. The Community Arts Initiative, or CAI, was born into a family of a dozen other active student groups. But CAI’s birth could not have occurred at a more appropriate time.

With an influx of admitted students interested in the relationship between arts and social work coupled with the partnership between GWB and the Pulitzer Foundation maturing, CAI’s inception seems to be written in the stars. CAI’s mission explores building awareness of the role of art in social work and public health practice by creating community connections and providing educational opportunities. Read the rest of this entry »

Whew.  Our posting on 2buildings1blog this month has slowed, but our overall blogging activities are currently at full steam.  We’ve launched a website for Transformation – the community programming organized in conjunction with the Matta-Clark exhibition (which you can also explore online here).   A few highlights:

The Panel Series:  We’ve organized a panel discussion each month to explore topics related to Matta-Clark’s work within the context of St. Louis.  The key question we’ll address in each panel: “How do communities evolve and in what ways can their members guide the process?”  Within this online section we’ll feature interviews with the panelists, research info related to the topic, and full audio from the discussion shortly afterward.  I also attempt (key word) to live tweet each panel (http://twitter.com/thepulitzer).  The next panel just happens to be tomorrow (Oh! You’re in luck! And it’s free!).

Local Artists:  This is where the bulk of the blogging happens.  We’re documenting the three artist-run projects throughout the course of Transformation – hear updates from the artists, watch videos of the classes, even watch DIY videos to learn some of the skills yourself, and generally stay up-to-date as each project evolves.

Your St. Louis:  Definitely the most interactive of all the sections.  We’re posting candid interviews with St. Louis residents, to help paint a fuller portrait of the community.  Show us your St. Louis by adding photos to our Flickr group.  Show off your favorite route, by creating a custom Google Map for others to use.  We want to showcase what St. Louis means to those of us who live here.

Forum:  We’re hoping this section will grow into a place for discussion.  Want to expand on ideas you heard in the panel?  Want to ask an artist a question about their project?  This is the place to do it!

This website will continue to grow and shift as the programming grows and shifts, and as always, we’d love to get your feedback.  Leave your thoughts in the comments below!

During my first shift as a Gallery Assistant at the Pulitzer, I rotated into the Entrance Gallery and was confronted by Garbage Wall.

After spending the last month and a half collecting this garbage from around St. Louis, I stood there and realized how little time I had spent with the finished piece.

My eyes scanned over the objects in the wall, and I recognized all of them! At the sight of each piece of garbage, I was taken back to a day in the collection process. I spotted the section of a brick wall that students at Wash U found during our neighborhood clean-up, caution tape that was left in a donation box in the art room at Metro High School, and shoes collected from a local thrift store’s dumpster. I remembered touching each object (with gloves of course) as I moved it from a school, curb, or dumpster, into my truck bed, and finally into the workshop where Garbage Wall was constructed. I felt lucky to have had this experience that connected me to the piece in a very unique and exciting way.

Read the rest of this entry »

When thinking about social activism, we tend to limit the definition to include protests, sit-ins, boycotts, and marches. Yet such a definition confines our understanding, and we rarely acknowledge activism’s various manifestations. Visual art, music, literature, flash mobs, clothing styles, and deciding which type of coffee to drink further prove social activism’s immeasurable forms. Our everyday choices become steps towards creating change. We can look back to the Civil Rights Movement as a perfect example on the varying expressions of activism. In the movement we see how song, art, literature, and bus rides can change an entire nation. Each time I hear the very first refrain “We shall overcome, we shall overcome, we shall overcome someday,” chills cover me. I am moved by the simplicity of the harmony and the lyrics, not because of their clever arrangement, but because I know such simplicity created such power and unity to bring together thousands. Or perhaps I am moved because decades following the movement the song still shakes one’s inner core and commands such hope. Read the rest of this entry »

The last days of an exhibition are always bittersweet, and Old Masters is no different. The memories of the light playing with my perception of the works and the voices of the many who have presented, acted, and read in the exhibition still linger. It’s easy to take an exhibition for granted, especially one that’s been here for a longer period, but when it’s gone, I know I’ll miss the faces, the forms, the landscapes, and all of the stories, including the ones depicted and the ones that were created in the galleries.

This in no way diminishes my excitement about our upcoming exhibition, Urban Alchemy / Gordon Matta-Clark, and the promise of the variety of interactions and opportunities the exhibition inspires. The work for Matta-Clark has already begun, as you’ve been reading about in this blog recently, but now you have a chance to come learn more about our upcoming exhibition, play with building a garbage wall yourself, and see the potential in trash by turning discarded newspaper into fun and functional items.

We will be hosting a table at the Earthways Green Homes Festival in Grand Center this Saturday, September 26. Our table will be open from 10:00 a.m. – 5:00 p.m. (the festival continues through 6:00 p.m.), and we are very excited to share with you information about Gordon Matta-Clark and our plans for the exhibition, including the Garbage Wall. So please come by and see us, say hello, and bring home a handmade kite, paper, or a seed planter as a souvenir and a reminder to come back and see us beginning October 30!

Loyola Academy students pose in front of their simulated wall of garbage.

Yesterday, Jenny, practicum student Emily Augsburger, and I rode in Jenny’s gold truck to Loyola Academy, a nearby all-boys school, to spread the word about Garbage Wall.  We hauled bins of junk and a six-foot-tall Plexiglas box with us.

In the art room, Jenny announced to a table of middle school boys the upcoming exhibition, asked if they knew what “alchemy” was, and then connected the term to Matta-Clark’s transformative art. She prompted the class to hypothesise how a 2’x2’ mock-up of Garbage Wall, left in the classroom the day before, had been built. Then the class thought of more ways to renew trash.

Some students casually rested their heads on the table in front of them, but they all readily chimed in and paid attention when others spoke. Still, after we paraded outside for the kids to simulate their own garbage wall, the adults truly witnessed unbridled energy, as the students, wearing blue latex gloves, eagerly explored the junk bins.

“So what do you think of this project?” I asked one boy, who had been pretending his gloves made him a superhero.

“It’s fun,” he replied, “I wish we could glue it together.”

Melba, the art teacher, who the Pulitzer collaborated with for the Community Light Project, assured her pupil that the class would get their chance to use elements of Garbage Wall in one of their upcoming assignments.

You regulars may recall Claire Wolff, a mover and shaker for Let’s Look, The Community Light Project, and other past projects. She graduated and ended her practicum three months ago, but since then she’s been very busy, using what she learned as a social work student to help begin a non-profit café, Urban Studio Café.

When Claire told me Urban Studio Cafe was about to have its soft opening two weeks ago, it was clear we needed to follow up and see how work at the Pulitzer prepared her for this new venture. What’s more, she needed a taste tester for barista training, and I wanted to do my part by trying a surplus latte.

About two miles from the Pulitzer, Urban Studio Café sits around the corner from Crown Candy, in Crown Village, the site of significant revitalization efforts. The cafe was birthed by what was just “the Urban Studio,” a facilitator of art workshops for kids in Old North. With profits from sandwiches and coffee drinks, these programs will continue, and at the same time, the cafe will provide a common space for the neighborhood. (Read the cafe’s goals on its website.)

Approaching the entrance, you see a poster taped to the storefront window, which was given to Claire by our community engagement coordinator, Lisa Harper Chang. It reads, ”How to Build Community,” with a list of maxims that pretty much sum up what the café is about (besides delicious lattes).

To practice ”ask a question” and “know your neighbors,” I asked Claire and her crew what they were doing August 27:

Yesterday was the day we published Post 1 and 2 of the A Marathon Metamorphoses blog-have a look please. The notes consist of a welcome from Hannah Fullgraf and, along with a little reiteration on my part, a video of Director Matthias Waschek, explaining the Pulitzer perspective behind the mega-read.

The basic strategy for this blog is to offer some background information and updates related to the event at this month’s conclusion. Throughout August, we’ll sprinkle a few words on Ovid here, some on Wtewael there, and tie everything together with the narration of Hannah, as she’s the event’s manager. But like other aspects of the laboratorial Pulitzer, the blog doesn’t have a cookie-cutter recipe, which makes me, as a web communications assistant using an ever-changing form of documentation, wonder what exactly this web page should be made of.  

The Pulitzer has a few other web sites/blogs with the same layout, such as Let’s Look, Sorrento Springs, the French Program, but if you look at those pages linked to on our Collaborative Programming page, you’ll see that the events or programs are different from one another and have been documented in diverse ways. The French Program, periodic visits from Lindenwood, can be posted about per visit. The Sorrento Springs trip was a one-time occurrence and written about from various witnesses’ perspectives.

Now when it comes to A Marathon Metamorphoses, an event which will last just one weekend but include people from all over St. Louis and span art forms and areas of study, we’re working with a whole other animal. What should be recorded in the event planning? How do we make the page worthy in itself aside from the event? Does that matter? How do we tell people about Ovid et cetera without becoming too “educational” and departing “blog”? What will readers want to know? What will the pace be?

Tour (noun): a long journey including the visiting of a number of places in sequence, esp. with an organized group led by a guide.

At the Pulitzer Foundation for the Arts, we don’t give tours, and this isn’t meant as a way to leave our viewers in the cold, instead it is to allow them the freedom to experience an exhibition on their own time. Now granted, there is a sort of sequence that the space of our building allows, but it is up to a visitor how long they will spend in front of a work of art. Do they wish to see what happens to the shade of blue on Mary Magdalene as a cloud passes across the sun? Or rather has the song they are singing in their head caused them to stop and look at Saint Jerome just a bit longer to ponder his more contemporary meanings. Or forget the artwork. Does the 3^rd hole from the northwest corner of Ando’s concrete match that of the 15^th hole on the north side of the building? (Some architects can tell you.) As gallery staff, we don’t have those answers for each viewer, the truth is that each viewer, whether in a group or solo has some personal interest that has brought them to our space. Since the Pulitzer is meant to be a laboratory and a sanctuary, it is our hope to allow each space to flesh that out for each visitor.

We have a bulk Read the rest of this entry »